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Film Art: An Introduction

Taschenbuch von David Bordwell , Kristin Thompson und Jeff Smith

90180581

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  • Details
  • Beschreibung
  • Information zum Autor
  • Inhaltsverzeichnis
Details
Artikel-Nr.:
90180581
Im Sortiment seit:
26.04.2019
Erscheinungsdatum:
28.02.2019
Medium:
Taschenbuch
Einband:
Kartoniert / Broschiert
Auflage:
12. Auflage von 2019
12th edition
Autor:
Bordwell, David
Thompson, Kristin
Smith, Jeff
Verlag:
McGraw-Hill Education Ltd
Imprint:
McGraw-Hill Education
Sprache:
Englisch
Rubrik:
Theater
Ballett, Film, Fernsehen
Seiten:
494
Gewicht:
1098 gr
Beschreibung
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell, Kristin Thompson and now, Co-Author, Jeff Smith's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts. Along with updated examples and expanded coverage of digital filmmaking, the twelfth edition of Film Art delivers SmartBook, first and only adaptive reading experience currently available, designed to help students stay focused, maximize study time and retain basic concepts.
Information zum Autor
David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is w*w*davidbordwell.net.
Inhaltsverzeichnis
Part 1 Film Art and Filmmaking 1. Film as Art: Creativity, Technology, and Business
Part 2 Film Form2. The Significance of Film Form 3. Narrative Form
Part 3 Film Style4. The Shot: Mise-en-Scene 5. The Shot: Cinematography 6. The Relation of Shot to Shot: Editing 7. Sound in the Cinema 8. Summary: Style and Film Form
Part 4 Types of Films9. Film Genres 10. Documentary, Experimental, and Animated Films
Part 5 Critical Analysis of Films11. Film Criticism: Sample Analyses
Part 6 Film Art and Film History12. Historical Changes in Film Art: Conventions and Choices, Tradition and Trends Additional chapters available through McGraw-Hill Education's Create:
Film Adaptations Writing a Critical Analysis of a Film Additional Resources for Film Art
Glossary Credits Index