Im Sortiment seit:
Kartoniert / Broschiert
16 pages of color illustrations
In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius' ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years.
It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to human life, that pleasure and virtue are not opposites but intertwined, and that matter is made up of very small material particles in eternal motion, randomly colliding and swerving in new directions. Its return to circulation changed the course of history. The poem's vision would shape the thought of Galileo and Freud, Darwin and Einstein, and-in the hands of Thomas Jefferson-leave its trace on the Declaration of Independence.
From the gardens of the ancient philosophers to the dark chambers of monastic scriptoria during the Middle Ages to the cynical, competitive court of a corrupt and dangerous pope, Greenblatt brings Poggio's search and discovery to life in a way that deepens our understanding of the world we live in now.
"An intellectually invigorating, nonfiction version of a Dan Brown-like mystery-in-the-archives thriller." - Boston Globe
Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature , he is the author of eleven books, including Tyrant, The Rise and Fall of Adam and Eve: The Story that Created Us, The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom ; Will in the World: How Shakespeare Became Shakespeare ; Hamlet in Purgatory ; Marvelous Possessions: The Wonder of the New World ; Learning to Curse: Essays in Early Modern Culture ; and Renaissance Self-Fashioning: From More to Shakespeare . He has edited seven collections of criticism, including Cultural Mobility: A Manifesto , and is a founding coeditor of the journal Representations . His honors include the MLA's James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve , the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.
The ideas in The Swerve are tucked, cannily, inside a quest narrative. . . . The details that Mr. Greenblatt supplies throughout The Swerve are tangy and exact. . . . There is abundant evidence here of what is Mr. Greenblatt's great and rare gift as a writer: an ability, to borrow a phrase from The Swerve, to feel fully 'the concentrated force of the buried past.'